Compulsion

entry_192It is Los Angeles, 1997, and before the gathered crowd I find my attention consumed by a single thought. In my mind the vision is clear: my hand reaching out and touching Steven Spielberg’s head. What troubles me most about the thought is that I’m currently standing just a few feet from the man himself. Clearly this is as close as I might hope to come to touching Spielberg’s head, which makes the temptation–as irrational as it may be–all the more seductive.

The alternative? The knowledge that I once had the opportunity to touch Steven Spielberg’s head, but didn’t. I work for a small technology company, and we’ve affiliated ourselves with Spielberg’s Starbright Foundation to demonstrate how our product can engage sick children as they participate in virtual communities. During the program’s commencement ceremony I find myself, along with the rest of my team, standing in an impromptu receiving line around the dais, and there is Spielberg working his way down the line.

The desire to touch Spielberg’s head is new. In fact, even now the thought is laced with lightning bolt warnings of conscience. “You mustn’t do it,” my mind tells me. “You mustn’t even think it!” Because the thought, I cannot deny, grows more delicious by the second. The very wrongness of it adds zest.

And yet how can something so wrong be so very easy to do? Shouldn’t verboten acts be extraordinarily difficult to accomplish? Otherwise, a simple change in the direction of the winds of impulse may be enough to turn a passing thought into a dark deed. Yet there he is, Spielberg, growing closer with each moment. Now I can see the pores in his nose, he is so close.

The crux of the problem is that people’s heads are restricted zones among strangers, such that even something as innocent as a touch would be viewed as a violation, and socially unredeemable. Meanwhile, here we are about to shake hands.

He’s now standing one person away, and I’m in a state of self-arrest, my enthusiasm momentarily bridled, yet wild still. Perhaps I can release some of the pent up energy by making a sudden confession to him right here. But even my telling him about this would probably not serve to establish any kind of healthy bond between us. “Hi, Steven. Um, I don’t want you to be alarmed, but I was just thinking about touching your head.” Then I would put my hands up in innocence to show him I meant no harm. “I won’t do it though, so don’t worry.”

Oh, there’s no way I could undo that. The time it would take to win his trust wouldn’t even be worth the effort, and he would quickly move on to the next line member, and I would be left forever branded: weirdo.

But I consider the thought anyway: What if I said that, and couldn’t retract it, and was forced to just power through? How would I manage that?

I imagine grabbing Spielberg in a bear hug, and his bodyguards tear toward me from across the stage. “Don’t do it,” I say. “Don’t do it!” And they pause, just long enough, their eyes darting over the dais to better gauge the most effective way to tear my arms from their sockets.

Spielberg, surprisingly docile, says, “You’re not going to do something silly?”

I laugh. “I know this seems rash, or crazy even.” Tactical error–I shouldn’t have used that word. It’s almost impossible to recover once you’ve uttered it, like shrieking, “I’ve got a bomb,” as you sprint through the airport. “Scratch that,” I say. “What I mean to say is that I see what you’re thinking. I mean–no, that sounds crazy too, and it’s not what I meant. I mean I know how this seems to you. So just know that I wouldn’t do this unless I had a plan. I know what I’m doing, and what I must do. I have it all worked out, and by the end of this you’ll realize that I’m harmless, and a friend, really.” I will bring us all the way back around to polite civility if I have to threaten everyone in the auditorium to do it.

Thus is my mind tormented, and I’m horrified by the thoughts I’ve conjured, the inescapable, unrelenting doom of the scenario. So why do I put myself through this? Because I am fascinated–absolutely obsessed–by the thin membrane between those brief moments in time that pass unnoticed and absolute mayhem. It doesn’t take much to go from one to the other, so why is it so difficult to bring order back from chaos? Because chaos is where it’s all headed, baby, that’s why. And, this in mind, it is clear that I should not be in charge of my actions, because that moment-to-moment choice to color within the lines is too great a responsibility.

By the time the director’s eyes finally flick up to mine in greeting–he’s a short guy it turns out–my face is a mask of trauma. Fortunately he takes this for stage fright, touches my arm as he shakes my hand, and leans in. “Don’t worry,” he says, “they’re all thinking of the children.”

I’m quite sure the audience is thinking about the children, but thanks only to the strength of my will.

Awkward

entry_191I wave at my coworker from across the busy car park, and she takes it as an invite and makes a beeline for me. Wait, why is she carrying a motorcycle helmet? Because this girl isn’t who I thought she was. It’s that new girl who, admittedly, bears a slight resemblance to my coworker. But only from twenty yards. My bloody nearsightedness has betrayed me on more than one occasion, which is why I’ve gotten into the habit of not making eye contact with anyone. Generally I try to look like I’m lost in thought–better safe than sorry. For the eccentric artist there are many things to ponder, after all. But this time I was so… sure.

“Oh,” I say. “I thought you were someone else.” My feet carry me forward, compelled by convention, until we are standing between a row of cars and the bicycle rack.

“Your’re scamper, right? Allison.”

Allison the new girl. “I’m scared and I don’t want to talk to new people,” I explain to her.

“Everyone says, ‘you’ve got to meet scamper!’ Ha ha.”

I grimace. “You’re pretty,” I say. “I feel scared and creepy.”

She sets her motorcycle helmet down on the bed of a pickup truck so she can tug her riding gloves off. When she proffers her hand my heart stops beating for a moment, and then doubles its rate in order to catch up. “I don’t like to touch people,” I say.

She takes my hand and pumps it. “I’m going to be working with Rob,” she tells me. Rob is my supervisor. “So we’ll probably end up working together on one of these projects they’ve been talking about.”

“You’re happy and nice, and I don’t like people,” I say.

“You heading out for the day?” she asks.

“I don’t have any more words,” I say.
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Being You

entry_190A week ago Jeremy was glowing. “Last night I told Sara that I loved her.” He bought us two horchatas, and then ignored his as he recounted the events of the evening.

“Wow. That’s really…. Well done,” I said. I’m always impressed by new love, and I put my hand out for shaking. Now it was official.

“I know. Everything’s just really coming together now for us, and last night I just felt this overwhelming…” he searched for the words, “all-encompassing thing.”

“So there it was.”

“Right. And I have to say, it feels great.” He scooted his glass, now frosted with condensation, back and forth, obsessively.

“Congratulations,” I said. I’d never been as rigorous with my own thoughts to assume that I understood love, which made his declaration–or any declaration of love–all the more miraculous.

“Thanks, man.”

I’d finished my horchata, and the straw sucked spiritedly at the bottom of the glass. “It makes me wonder though,” I said. “Would you like to be her?” The question didn’t strike me as the definitive acid test, but it did seem like a natural consideration.

“To be her? I don’t know, she’s doing pretty well now with the new job and all. I certainly wouldn’t mind that commute.”

“No, I’m not talking about swapping places with her. I mean would you want to be Sara?”

He cocked his head and blinked at me. “What do you…?”

“To live the life she’s living,” I said, “in her skin. I mean, you say that you love her, and that’s great. But I just wonder if being in love with someone–the one–also suggests a willingness to be that person.”

“That doesn’t… I don’t know what you’re driving at.” He laughed and shifted in his chair, looking around the restaurant, as if he might see others listening in.

“I’m asking if you’d be open to the possibility,” I said.

Jeremy sat up in his chair. “I mean, I’ve worked hard to get where I am. I like myself,” he said, making chopping gestures with his hands, “and I’ve become the person that Sara can love. We’re not interchangeable.”

I laughed. “I’m not saying you’re interchangeable. If you were, the question would be moot.”

“The question is moot!” he barked. “Sorry. I just….” He looked around the room again.

“I don’t think you’d be so defensive if the question were moot.”

“Defensive.”

“And,” I added, “I don’t think you’d be so defensive if the answer were ‘yes.’ I basically asked if you’d like to live your life as Sara, and I infer from your response–from your reaction–that the answer is no.”
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Pretty Pretty

entry_189It is impossible to ignore the fact that the construction cranes that stand over the incomplete “other Bay Bridge” project are now festooned with joyous holiday lights. What better way to highlight a debacle in the making than to turn it into multicolored constellation of logic-eating fund-raping jubilation? Seriously, I think the City is onto something. This is in the spirit of dentist drills with kazoos built in, or Cirque du Soleil tax audits administered by twin Asian contortionists in monkey-fish costumes, or the American invasion force in Iraq wearing Hello Kitty fatigues, and the Disney Main Street Electrical Parade marching through Baghdad every night.

Personally, I love the idea of dressing up tragedy, though I can see where one might think it misleading to adorn objects of shame in such gay finery. Can a fleet of clown cars add that extra something to the sweet wonder of the George W. Bush funerary procession? Do loose chimpanzees in darling cowboy costumes, and jingle bells retrofitted to the machetes of marauding rebel assassins really lift the spirits of fleeing African villagers? Should my boss deliver my performance review, a la Blue Man Group, through a corrugated PVC didgeridoo? The answer to each of these questions is a resounding yes!

When we celebrate misfortune we’re grabbing life by the hips and saying, “it would seem that I am your daddy!” To do anything less is to concede to our own inevitable defeat. Let us instead make adversity our pretty pony, and let sorrow be the burkha that covers our hilarious Groucho glasses. L’chai-im! I think each lie should be delivered with a gummy bear, each spanking with calliope music. Coffins should have jalopy tail fins, and chrome mufflers, and spinners! And as for those dormant cranes, I don’t think we’ve gone nearly far enough. The decorations should take a note from the Price Is Right props department, with a thousand glimmering dollar bill signs, while strap-on klaxons belt out the whistling portion of the Colonel Bogey March.

I want to hear that drum roll as our self-celebrated little society circles the drain, and that one last cymbal crash when the cockroaches realize that the long nightmare is finally over.

Hair

entry_188“What are these patches?” I held the robe out to my sister.

She sat amidst a pile of old photos, and for a moment I saw her as a child again, playing in the leaves Dad had raked into a pile. “I don’t know,” she said. “Let me see.”

She stepped over the mementoes spread out over the attic floor, careful not to disturb them with her shins. “Here, around the collar,” I said.

There were two thin patches at the neckline, curiously threadbare, like a Rorschach pattern eaten into the cloth. “Oh, from shaving,” she said. I tried to work it out in my head. She smiled and took the robe. “Like this,” she said, donning the robe. She cinched the collar around her neck, and then made small sweeping gestures with her right hand at her neck. “He used an electric razor,” she said. I hadn’t remembered. “And over the years he shaved down the top of his collar.”

“And it never grew back,” I thought aloud, without intending to. She rolled her eyes, and retreated back to the photo pile still wearing the robe.

I returned to the wooden case I’d been plundering, with the hope of finding an artifact that might provide insight into a life I’d been less than familiar with. In a hinged box I found a collection of tie pins and cufflinks, mingling with some novelty coins from a long forgotten county fair.

“Do you remember his beard?” my sister asked.

“I can picture him with a beard, but I don’t know if it’s a memory,” I said.
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A Hero’s Lament

entry_187Lunch in hand, your hero crosses the cafeteria floor, his adrenaline sloshing around in a body carved for battle. His competitive eyes seek challenge, but there is none here. Rather, conversations about flower pot arrangement, weekend Ikea junkets, commuter expense reimbursement… such discourse is a prescription for warrior atrophy.

Defeated, your hero makes his way toward the bank of microwaves. At the other end of the line, a coworker has just placed her quiche tray at the center of her oven’s turntable, and now enters numbers on the touchpad. Your hero notes that quiche-eater’s data entry skills are pitiful! Her fingers are flaccid and her movements sluggish. In contrast, the office warrior will be able to enter the cooking figures in one third the time. Vegan textured protein pie in place, he slams the microwave’s door shut and hits the digits with the accuracy of a factory robot.

Where she is sloppy, he is precise. Where she is slow, he is fleet. Now your hero finds himself with a relative time surplus. Advantage: hero. Now the question becomes how he will use all this extra time. To bask in his superiority, that’s how. He looks over at his coworker–his pupil–and nods his head, “Take note.” But she is washing her utensils and doesn’t notice.

Acknowledgment of victory is unnecessary however. Your hero is reminded of this morning’s commute triumph, wherein he was able to take the highway offramp turn just inches from the inside wall, his speed even, his path sure, describing an arc of geometric perfection. However, the minivan in front of him took the turn like an overfed cow lumbering down a spiral staircase. While your hero steadied his turn with pinkies on the wiper and turn signal handles, respectively, minivan driver’s path was a series of erratic line segments joined by short, suspension-testing seizures.

The warrior aesthete looks upon such imprecise maneuvering with disdain. Spastic children with buckets on their heads bounce from the walls with greater predictability, and your hero refuses to allow motor skills to grow so lax. His grip is tighter, his eyes keener, and his lips more slick with the sputum of superiority.

Night falls on your hero conducting research into the nature of the modern man’s plight of stifled competition. Taking the library steps in twos, he dashes to the top floor with the grace of a dancer, the speed of a gazelle, overtaking an aged man for whom each step is a lesson in pain. With pity, your hero quietly acknowledges the compounded wages of a lifetime of imperfection, manifest as calcified deposits between swollen joints. “Go easy, hapless wretch,” thinks the youthful paragon.

Though superior in all measurable ways, your hero finds himself winded by the time he reaches the top floor, but refuses to break the silence with audible exhale. A little respiratory discipline is what’s called for here, all the better to impress his audience. They must be thinking, “How is it that a person can dash up several flights of steps and not be out of breath as they make their way to the reference section?” Aha! Through sheer strength of will, that’s how. And as he forcefully holds shut his epiglottis for nearly a minute, your hero’s pulse throbs in his beat-red temples. He embraces sacrificial restraint, that others might learn to refrain from their oxygen-slurping nasal cacophonies, if only in sympathetic appreciation.

And as strobes dance before his fading eyes, your hero recalls a passage from the warrior’s canon: Cowards fear loss of consciousness due to asphyxiation. Heroes welcome it.

The Zen of Meeting

entry_186I’m humming almost inaudibly to the fan of the overhead projector. Occasionally I vary my pitch just to hear the two tones beat, but overall I prefer to match the even tone of the projector. It’s easily the warmest thing in the conference room. None of my coworkers seem to have caught on to the fact that I’m humming, which is ideal, since I’m subscribing more and more to the belief that it’s the only thing keeping me from losing my mind altogether.

Fortunately, someone has brought us delicious secular holiday cookies. But even then my appetite is dampened by the the tinkling of our shackles–the accessories of professional captivity–as we reach for the complimentary confections. To be fair, there are but two things that explain my aversion to meetings: the topics of conversation, and the actual rooms they take place in. The two concepts are not as distantly related as one might imagine.

The conference room’s troublesome feng shui baffles concentration. The attempt to form cohesive thought is as easy as urinating while a puppy is staring at you. Yet, other than my coworkers, there are no obvious physical obstructions to speak of, so what’s the problem? The company hired hip young interior designers when it was flush with cash, which all but ensured that the walls would be strewn with red state-sized canvases featuring abstract splashes of corporate camouflage. But though the interior designers were well-versed in feng shui, they failed to take into account the fact that 30 bodies is enough to change the balance of any room. Indeed, feng shui is akin to quantum physics in that physical constants do not exist. Balance can exist only so long as no one enters a room, because to occupy a room is to change its nature. In fact, if a room is to maintain its integrity then no one should even be allowed to observe it, which would have the additional benefit of solving the meeting problem once and for all.

At the heart of any meeting is the discourse, and this meeting is no different. This morning the captives are told about the exciting business opportunities that abound, and the voice becomes a weightless silk wound around detached syllables and phonemes. I look down at my soft feminine hands. Baby hands, really. They’ve seen no work, and my bones would shatter if I ever dared pick up a hoe. And how long has my skin been transparent? I can see the grain of the table through my palms. Meanwhile, we’re told that not taking advantage of a business opportunity is just, “leaving money on the ground.”

I’ve heard the phrase before, but it was different last time. Another executive had said that letting opportunities pass us by was akin to “leaving money on the table.” The idea of loose money–cash money–is beyond their ken. The real story is revealed in their narrative: Perhaps the money had been on the table at one point, but no one had claimed it, and eventually the wind came through and blew the money to the ground like autumn leaves. The chance to witness a nascent business metaphor in its gestation, before the terms have settled, is fascinating, like observing the development of a new breed of poisonous hornet. Before the metaphor is delivered we’ll hear about money on a desk, or cash in the stairwell, or pennies off a dead man’s eyes.

The solution is clear: What we need is to have automated furniture that changes position relative to the number of bodies in the room. The movement might be subtle, and silent, but everyone would benefit from the harmonious redistribution. Even more effective would be furniture that acted to increase meeting efficiency by redistributing ineffectual members of the team right out the door. An energetic young manager prattles on about something he learned at a conference, not failing to use the phrase “low hanging fruit” at least three times. Then, slowly, his chair pulls away from the table, and begins moving toward the door. Without breaking the soul-depleting narrative, our middle manager grabs at the edge of the conference table, but the furniture’s servos are insistent, and pull until the employee’s knuckles are numb. We watch the manager wheel by, and he modifies his rhetoric in a heroic attempt to remain relevant, but as the door closes behind him there’s no denying that the mood of the entire room has lifted perceptibly.

My belief is that it’s the very structure of our meeting rooms that foster the banality of trade discourse. The wide convex conference tables, the track lights with frosted glass shades, and the chairs that force recline upon touch, draw sophistic colloquy from our lips like ship-farers drawn to shoal by the sirens’ song. It would be a different story if my coworkers were made to cling to ropes over a fiery pit. The points of discussion would be ticked off in record time then, with the primary order of business focusing on how to reach the ledge to safety. Contamination by flesh-eating bacteria might also enliven our assemblies, particularly if the antibiotics were hidden somewhere at random within the building. Raise the stakes and a few essential things become relevant, that’s the idea. You’re never more relevant than when pieces of your body are actually falling off as you dig through your coworkers’ waste cans.

Alas, these things are but the futile dreams of your hapless onlooker. Futile, perhaps, but why not also spiritually lucrative? To overlook these things, that would be leaving money in the bear trap.

Routine

entry_185At the base of the hill the long driveway comes to a T. From there it’s possible to turn either left or right to get to town–the direction doesn’t particularly matter because both roads meet up again after after a circuitous half mile. The fact that it’s a loop is the most interesting aspect of that road. Otherwise the two directions are about the same, and there’s nothing that makes one direction more compelling than the other. So it is that each morning is like participating in some recondite experiment: which way to go?

The one thing that saves me from numbing routine is the choice that I have of the two directions. I typically don’t know which way I’ll turn until I reach the bottom of the driveway, and even when I have a vague inkling, I’m often proven wrong. And that’s how I like it. This is one of those few perfect decisions that exists independent of cause or effect, and abrogates entirely the risk of routine.

But I’ve lately come to suspect that the specter of routine hides within the gestalt of my actions, if not in each one individually. It’s a difficult thing to know for sure, but still the suspicion haunts me.

For no discernible reason I began favoring the left route one morning, and stuck with the preference for a long while. Several days had passed before I noticed an elderly woman walking her dog just over the first hill–noticed her because she was always in the same place at the same time. A creature of routine, she was.

As days passed she took notice of me as well, and offered a friendly wave as I passed by. Despite the familiar burden of forced social graces, I waved back that first day, and continued to do so each morning. Meanwhile I worried at my foolhardy flirtation with regularity. Not only that, but I inferred expectation in that old woman’s smile, and it became more and more difficult to take my daily decision without regard to consequence.

A curious feeling of confinement set in–a kind of “claustrophobia of deed”–and my fingers tightened around the steering wheel. I found myself tempted by irrational thoughts, of routine-defying actions. I wondered at the consequences of swerving suddenly into the embankment with none but the woman and her dog as witnesses. Surely that would free me from any possibility of routine, unless I found a way to swerve into the same embankment every day.

Fortunately, the day did come when I turned right rather than left at the end of my driveway. I didn’t realize it until the deed was done, but it was just the beginning of a long run of right-favoring mornings. The drive was uneventful, though I often found myself preoccupied with thoughts about the old lady walking her dog. That she had no seed of variability made her vulnerable. Nature has a way of weeding out homogeneity, and I imagined she would be dispatched in short order. She would fall, and her dog would drag her into the bushes and eat his fill, and then dash away into fields of clover.

It was partially out of curiosity that I took the left route again, after two contiguous weeks of right turns. I felt I had barely avoided a pattern in the making, but still I couldn’t avoid the niggling feeling that my perfect indecision had been tainted by a baser desire to know what was happening on the other side. There was no turning back now.

Over the crest of that first hill I spotted the dog walker again, but this time she did not wave at me as I came fully into view. Instead she stood there with her arms akimbo, and waited for my car to approach. Then, just before I passed her by, she put out one hand as if asking why, and mouthed something like, “Where were you?”

Clearly I had misled the old woman, and now she felt betrayal. I had become a part of her routine, even as I foiled my own. We follow our little furrows, finding our little patterns, and try as we might to avoid them, sometimes even the lack of something is something.

Social Mirror

entry_184“Drink!”

Shit. I hadn’t seen my stepfather reach for his glass until my hand was around my own glass. I reacted in the only way I could: I froze, my arm stretched over my “Land of the Lost” Sleestak placemat. My stepfather saw me hesitate, but more than that, he’d somehow reached a deeper understanding about why I’d hesitated.

I’d never cottoned to synchrony, even as a child. It was all too obvious that uniqueness was a myth, but why cede to mimicry so easily? Particularly to such a loathsome creature as the man who sat across from me now. Our years together had taught me that relief came only as I defined myself in contrast to my stepfather, by embracing anything that might separate us. And, except for the little things–autonomic reflexes, involuntary functions, unconscious social graces–I had succeeded. I was his opposite incarnate, and had succeeded in alienating him as only an artist could. Indeed, in pissing him off, I was a craftsman. But I was young still, and not yet a master of my tools.

So it was that, in order to ensure that the social mirror would be broken, I held my arm in suspension a bit longer than necessary, watching as he went on to take a sip. But he was watching me as well, and though I withdrew my hand with great finesse, he was already onto me.

“Jeffrey, drink your milk,” he ordered. I was incredulous, and humiliated, and stared at him. I knew exactly why he was ordering me to drink, but I couldn’t believe that he would actually challenge me on such an esoteric matter. And I was not going to drink my fucking milk. Especially not now that it had become a prop in another one of his ad hoc deprogramming sessions.

My mother’s eyes flicked from one of us to the other. “Guys, what’s going on?”

“He’s being weird, again,” I answered, hoping that last word would help to establish what was obviously a contemptible pattern of behavior.

He rolled his eyes, “No, you’re the one who’s being weird.” He laid it all out for Mom. “He was going to raise his glass, but he stopped when he saw me doing it at the same time. Now he doesn’t want to drink at the same time I’m drinking.”

“It’s not just you!” I protested.

For a moment it looked like Mom was going to say something articulate and disparaging, but she couldn’t muster the energy. And in truth, there was no righting something as derailed as this situation. By that time in my life, my relationship with my stepfather was defined as a series of lessons. He remained on the lookout for some aberrant tendency of mine, at which point he would direct me, his budding avatar, toward right action.

Mom didn’t have time for character molding just then though, and retreated into the kitchen with her plate. She was efficient that way: matter resolved, and without a word.

However, now free of oversight, my stepfather was back at his latest lesson anew. “Drink your milk, Jeffrey.”

It was a campaign to exorcise me of eccentricity, and the man was clearly obsessed. He would find no rest until I was robbed of every shred of independence. “I’m done!” I said.

“Not until you finish your milk,” he said.

“Fine,” I said, and reached for my glass. At the same moment he reached for his glass, and I saw what this was all about. “What are you doing?” I asked.

Oh, but he couldn’t put words to it. His rationale wouldn’t have withstood the sheer implausibility of it, so all he said was, “Drink your milk!”

I considered my options. I couldn’t rely on any of the standard excuses to get me out of this one. “But there’s a bug in it.” “I feel sick.” “My hand is bleeding.” So I sat there, frozen, with my hand tight around my glass. The moments drew into horrible minutes, a silent showdown broken only by his periodic instruction: “Drink. Your. Milk.”

Sure I had the advantage of time on my side–eventually he would die–but I had so much more to live for, that much had become evident. So I took advantage of his advanced age, and, quick as lightning, catapulted my glass toward my face, squeezing my eyes shut against the milky splash.

Only I underestimated my stepfather. To some extent he had anticipated tomfoolery on my part, and had set himself on a hair trigger. The part of his brain that controlled restraint, therefore, was disengaged entirely, and when the milk cleared from my eyes I found myself staring across the table at my drenched stepfather, his glass, now empty, still clutched in his hand. I might have laughed if he hadn’t immediately jumped out of his chair and come at me.

By the time he had me by the scruff of the neck I was running entirely on instinct, and I found my fists clasped around his own nape in a death-grip. I was pinned under him, but not without some leverage, thanks to my quick reflexes. “Let go of me,” he said through his teeth.

Only I’d learned my lesson more quickly than he gave me credit for. “You let go,” I said.

And so it went.